Schools of Strategic Management Thought Essay Example | Topics and Well Written Essays - 2000 words

Schools of Strategic Management Thought - Essay Example The key characteristic of the Environmental School of Strategic Management Thought is that business is considered as closely depended on its environment – being unable, in a way, to take initiatives that would support its various activities. In accordance with Sadler (2003) the specific School of Strategic Management Thought is based on the contingency theory. In this context, it is noted that businesses that are influenced by the Environmental School of Strategic Management Thought have the following characteristics: a) their strategic decisions are likely to be influenced by the organizational environment, b) all organization’s decisions and activities need to be aligned with the environment, c) the leaders of these organizations do not have power to act independently; rather they should focus on identifying the conditions of the organizational environment and ensure the alignment of the business decisions with these conditions, d) businesses that follow the rules of the specific School of Strategic Management Thought are finally become unable to keep their identity and to realize their goals; this result to the gradual loss of the power of the organization to face the environmental conditions – which are likely to become hostile; in the long term, this phenomenon could lead the organization to stop its operations. In accordance with Matthews (2005) the Environmental School of Strategic Management Thought is based on ‘strategy formation as a reactive process’ (Matthews, 2005, p.29).

Emotion in T.S. Eliots The Love Song of J. Alfred Prufrock Essay examp

Emotion in T.S. Eliot's The Love Song of J. Alfred Prufrock In his poem â€Å"The Love Song of J. Alfred Prufrock,† T.S. Eliot subtly conveys a wide variety of Prufrock’s emotions; he creates pathos for the speaker by employing the â€Å"objective correlative,† which Eliot defines as â€Å"a set of objects, a situation, a chain of events [that] shall be the formula of that particular emotion† (â€Å"Hamlet and His Problems†). The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by â€Å"half-deserted streets† (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other â€Å"half† needed for a relationship or an â€Å"argument† (8). Hoping for a companion, Prufrock speaks to the reader when saying, â€Å"Let us go then, you and I† (1), as he needs to address his lament to an audience; conscious of the reader’s curiosity regarding the â€Å"overwhelming question,† (10) Prufrock answers, â€Å"Oh, do not ask, ‘What is it?’† (11). (The likely explanation for Eliot’s inconsistent use of you in this stanza is Prufrock probably meaning you as â€Å"To lead one,† as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrock’s lonesomeness by anthropomorphizing the â€Å"yellow fog† and â€Å"smokeâ⠂¬  (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who â€Å"rubs [his] muzzle on the window-panes† (15, 16), passively lets â€Å"fall upon [his] back the soot that falls from chimneys† (19), â€Å"slides along the street† (24), and performs the actions also described; also, the opacity of â€Å"fog† and â€Å"smoke† symbolizes the difficulty with which readers perceive Prufrock’s true character, further separating ... ...ers/you make of them,† (37-9); Prufrock defines his misfortune by women, just as King Lear, also called â€Å"fool,† attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men like themselves to end , Prufrock thus speaks for all people like himself when he sentences those limited by inaction to death. Most likely intentional, the entire poem can be considered a metaphysical conceit designed to create pathos: Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrock’s anxiety of choice and consequent despair. Work Cited Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996. Pinion, F. B. A T.S. Eliot Companion. Totowa: Barnes & Noble Books, 1986. Emotion in T.S. Eliot's The Love Song of J. Alfred Prufrock Essay examp Emotion in T.S. Eliot's The Love Song of J. Alfred Prufrock In his poem â€Å"The Love Song of J. Alfred Prufrock,† T.S. Eliot subtly conveys a wide variety of Prufrock’s emotions; he creates pathos for the speaker by employing the â€Å"objective correlative,† which Eliot defines as â€Å"a set of objects, a situation, a chain of events [that] shall be the formula of that particular emotion† (â€Å"Hamlet and His Problems†). The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by â€Å"half-deserted streets† (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other â€Å"half† needed for a relationship or an â€Å"argument† (8). Hoping for a companion, Prufrock speaks to the reader when saying, â€Å"Let us go then, you and I† (1), as he needs to address his lament to an audience; conscious of the reader’s curiosity regarding the â€Å"overwhelming question,† (10) Prufrock answers, â€Å"Oh, do not ask, ‘What is it?’† (11). (The likely explanation for Eliot’s inconsistent use of you in this stanza is Prufrock probably meaning you as â€Å"To lead one,† as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrock’s lonesomeness by anthropomorphizing the â€Å"yellow fog† and â€Å"smokeâ⠂¬  (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who â€Å"rubs [his] muzzle on the window-panes† (15, 16), passively lets â€Å"fall upon [his] back the soot that falls from chimneys† (19), â€Å"slides along the street† (24), and performs the actions also described; also, the opacity of â€Å"fog† and â€Å"smoke† symbolizes the difficulty with which readers perceive Prufrock’s true character, further separating ... ...ers/you make of them,† (37-9); Prufrock defines his misfortune by women, just as King Lear, also called â€Å"fool,† attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men like themselves to end , Prufrock thus speaks for all people like himself when he sentences those limited by inaction to death. Most likely intentional, the entire poem can be considered a metaphysical conceit designed to create pathos: Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrock’s anxiety of choice and consequent despair. Work Cited Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996. Pinion, F. B. A T.S. Eliot Companion. Totowa: Barnes & Noble Books, 1986.

Unit 9 P4

Unit 9:exploring creative product promotion P4: explain the reasons behind the choice of media in a successful promotional campaign. Brandon Baumgart IBS 1c P4 Version 3 30 may 2012 Mrs. Daymond From mouth-to-mouth to TV and Internet. In 1886 when coca cola started they didn’t had TVs, radios and Internet to tell people they have invented something new. So everything was from mouth-to-mouth, through the flyers, the newspapers or big wall paintings on high buildings.Later they could add the radio in this list. And that status they still have but how do they do that now a day? They do that most through the TV will al the happy people who drink Coke and with the happy and bright colours and their slogan: OPEN HAPPINESS. Why one the TV and Internet and not on the radio for example? Because if you hear a commercial on the radio you only HEAR and not see the commercial but on TV you SEE and HEAR the commercial and because of that you want a Coke.The number one reason is that almost everybody has now a day a TV, a computer and a smartphone with internet, so Cola has to go with their time and now they have a general site about all the different kinds of beverage the have, they also have a Coca Cola web shop, a Cola diet site, a Cola goes green site and many more. All these sites are for people want to know more about Coca Cola or buy their stuff. Coca-Cola uses direct marketing in many ways. First, the company partners with various restaurants, movie theatres, etc. to carry its product.Unit 9: exploring creative product promotion P5: design a promotional campaign for a given product/service to meet the needs of a given campaign/creative brief @ Fair trade Max Havelaar products Brandon Baumgart IBS 1c P5 Version 1 27 January ‘12 Mrs. Daymond Table of contents 1. Introduction 2. Campaign brief 3. Creative brief 4. Budget and time lining 5. Mood board 6. Conclusion Introduction In this task you design a promotional campaign for a given product/service to meet the needs of a given campaign/creative brief @ Fair trade Max Havelaar. Fairtrade since 1988Max Havelaar Foundation was founded in 1988 by Nico Roozen and Frans van der Hoff in response to an urgent call of coffee farmers in Mexico. â€Å"Aid is good, but a fair price for our coffee is better. Then we don’t need to hold or hand,† they argued. With a fair price for coffee beans, small farmers take matters into their own hands. I hope you will learn as much I will with typing this report. Campaign brief Background to the proposed campaign The Max Havelaar Foundation grants since 1988 in the Netherlands, a hallmark of coffee at a fair price for producers in the market.The initiative was developed in consultation between Mexican coffee farmers and a Dutch aid organization. The organization is further supported by ICCO, an interchurch organization for development. The initiative was copied: Max Havelaar is now also the name of the only independent fair trade label for food s whose producers in Latin America, Africa and Southeast Asia by buying a higher price than the world price is paid. On top producers receive a premium as an extra.The name comes from the book Max Havelaar (1860) by Multatuli, which injustice is made of coffee farmers in the former Dutch East Indies. The mark guarantees that organizations of small farmers or plantations in developing countries receive a fair price for their products. Although the mark, partly because of his name, especially evokes associations with coffee, it is also found in ice cream, tea, chocolate, honey, cocoa, fruit juice, rice, wine, beer, sugar and fruit. Include the make â€Å"Oke†, under that name bananas, oranges, pineapples and mangoes sold, may Fairtrade / Max Havelaar label.In addition there are other brands such as Ben & Jerry's (ice world 100% fairtrade), Verkade, Swiss Noir (chocolate), Penotti (chocolate spread) and Fair Trade Original (an array of products). There are also several supermark ets (such as Albert Heijn â€Å"Pure and Honest† and Lidl â€Å"Fair Globe†) that choose to sell fruit to sell under their own brand of course Fairtrade / Max Havelaar label. In January 2010, the supermarket chain PLUS the largest commitment to fair trade made. From this date all bananas Plus sells Fairtrade / Max Havelaar certified. In 2011, the SPAR supermarket organizations and ALERT followed suit.The foundation itself is acting in any of these products, it provides only the label that guarantees a fair trade. In 2004, 3% of the Dutch coffee and 2% of the Belgian coffee certified under the Max Havelaar label. In many countries there are foundations that same goal and same working method. The Max Havelaar label is now (2009) in some 23 countries and used products come from some 55 countries. Of these, approximately a half million farmers directly (and workers) benefit. These organizations have joined the international Fairtrade Labelling Organizations (FLO).The Fairt rade mark (the international version of the Max Havelaar label), with 2006 revenue growth of 40%, the largest increase was in the United States where coffee sales quadrupled. In January 2006, the Max Havelaar label a big campaign in the Netherlands to focus on products with its brand to establish. The advertising slogan â€Å"no discount, but advantage,† with a wink referring to the price war between the Dutch supermarkets, wanted the label to highlight that the products are more expensive, but that a portion of the proceeds benefit the producers them. we are going to do it big than in 2006.We want more people to be aware about the prodcuts they buy. We are going to show in our commercials small movies about were their â€Å"cheap† coffee comes from and where our coffee comes from. Also we are making a FaceBook page and a Twitter page to keep them updated. Objectives To increase awareness of the product through advertising from 36% to 46% by the end of the year 2012. A nd that more people buy our products. Target markets Is everybody who does the grocery and â€Å"anyone who knowingly lives and want to meet others with the same respect that you take yourself expect from others†.Product/service specification Nowadays you can find the Max Havelaar Fairtrade Mark not only coffee but a wide range of products such as chocolate, fruit, wine, tea, spices and even on ice and peanut butter. Also adorns the label on products such as cotton bath towels, blankets, shirts and curtains and flowers. The Max Havelaar Fairtrade Mark is the only standard that the ‘Triple P' of sustainable development – People, Planet and Profit – completely covers. Through a guaranteed fair price creates the label space for both economic development and environmental improvement and social progress.Fairtrade system that makes it a unique model with the highest standard for sustainable development. People The identity of the Max Havelaar label is primarily associated with social justice. Respect for human rights and labor standards, according to the Charter and Conventions of the United Nations, are the starting point. But social progress is not as the basis for prosperity and ecological health is destroyed. Planet Farmers realize that is why many organizations turn to organic farming. Part of the products with the Max Havelaar Fairtrade Mark also has an organic label.But the Max Havelaar label itself represents a healthy environment. Dealing with soil, water, air and biodiversity in Fairtrade bound by rules. Basic standards to be met as a condition for certification. The system also offers guidelines for further improvement. Profit And the financial area, because that's not without. The space created by a fair reward for goods supplied. Through better trading conditions to improve poor farmers Fairtrade gradually their living standards. They have tools at hand to invest in their operations and their environmental performance, with o rganic certification often represents the pinnacle.Fairtrade in the third P belongs right there. He suggests farmers are able to trust the future to work on sustainable development. Creative brief Background/introduction We are Cherry Redâ„ ¢, one of the most efficient advertising agencies. Established in 1991 we strive to offer the greatest service possible putting the client at the centre of business. Target markets Is everybody who does the grocery and â€Å"anyone who knowingly lives and want to meet others with the same respect that you take yourself expect from others†. Women respond most favourably to social responsibility messages.Design marketing materials aimed at women. The age group 25-34 respond more favourably to socially responsible messaging. People identify with fair wages and employee treatment. Wealthy people and people who buy gifts often tend to do it online and in boutiques. A great website, product reviews, and well-trained sales people will help you sell. Promotional/advertising objectives Create consumers demand and awareness for the Fair trade products Max Havelaar: proud to be fair. Promotional/advertising proposition That the products they buy must stay fair too the farmers and for the customers. Support Fair trade * Empowerment * Poverty * Conservation * Social improvement * Clean environment * Development * Transparency * Co-operation These points will make a better world. Tone of voice Serious, friendly, â€Å"green†, everyday and FAIR. Mandatory inclusions Max Havelaar fair trade logo, Max Havelaar website, available at the better supermarket. Budget and timing Promotional Designs For Campaign| Costs| Logo DesignEmail DesignPostersLeaflet DesignNewspaper Advert DesignWebsite DesignCommercial on TV| â‚ ¬50. 00â‚ ¬160. 00 â‚ ¬395,48 (25 needed at â‚ ¬15,82 each)â‚ ¬140 (2000 needed at 7p each)â‚ ¬900â‚ ¬300 paid for the yearâ‚ ¬ 11. 00| Maximum Budget Of: ? 15. 000,00| Total Cost: ? 12. 945 ,48| We want the ad’s come out in the holiday period because people will give and buy more in this season because it stands for togetherness, joy, giving and caring for fellow creature. Conclusion This was a very interesting task. Now I know more about how too make a simple promotional campaign. And also know more about Max Havelaar Fairtrade products. Such as that Max Havelaar is not a brand. Max Havelaar Foundation is part of an international umbrella: Fairtrade Labelling Organizations (FLO). I hope you have leared as much as I have.

Jane Austen s Pride And Prejudice - 2010 Words

In Jane Austen’s Pride and Prejudice, an overarching issue is the idea of propriety within society and its conflict with love and passion. The majority of the Bennet family is subject to the whims of passion and very often forgets their presentation to the rest of their peers. Other characters found themselves putting aside their own desires in order to do what was expected of them. On both sides, there are both positive and negative effects that come from this placement of priorities. From the moment she is introduced, it is quite obvious that Elizabeth Bennet is a very independent individual who chooses to do things her own way, instead of the way that is expected of her. When, due to Mrs. Bennet’s scheming, her sister Jane falls†¦show more content†¦This obstinacy when confronted with her sister’s care shows how highly Elizabeth values her personal relationships. Elizabeth not only shows this tenacity in regards to her sister, but in her love life as well. When her father’s cousin, Mr. Collins, proposes marriage to her, she declines him, not only because she finds him a disagreeable person, but because she wishes to marry for love when she does enter into a lifelong pairing. The people of her acquaintance, including her closest friend Charlotte, feel that this expectation is an unrealistic one, and that Lizzy should instead marry for privilege. Elizabeth, however, holds onto her ideals, resigned to remaining an old maid if she cannot find a man whom she loves. Love was considered a luxury during this time, and one that very few people were lucky enough to wed for. While Elizabeth maintained her high ideals in terms of passion, Charlotte Lucas found herself more drawn to the side of propriety. Charlotte is perhaps one of the most sensible characters portrayed in Austen’s novel, including Elizabeth herself. She tells her friend, â€Å"Happiness in marriage is entirely a matter of chance. If the dispositio ns of the parties are ever so well known to each other, or ever so similar beforehand, it does not advance their felicity in the least† (61). Charlotte feels that entering into a loveless marriage is not the curse that Lizzy sees